Christina Svane

Christina SvaneChristina SvaneChristina Svane

Christina Svane

Christina SvaneChristina SvaneChristina Svane
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Gratitude & Compassion

A collaboration with David Koteen, this book grew out of an email relationship between two strangers, initiated by my email of gratitude to David for conceiving and co-writing  Caught Falling: The Confluence of Contact Improvisation, Nancy Stark Smith, and Other Moving Ideas, a book that unfolds on many levels. When Nancy, my dear friend, died, this book kept her voice alive. Discovering parallel epiphanies of our early 70s wanderlust through Europe and Asia, and shared love of the dance, of poetry, of living in the forest and of Nancy. Available on books.by

Substacks

I have two Substacks. One is called "Moments of Connection," referring to the contribution we each make to the building of a new era on Earth, by sharing with each other our vision and belief that it is possible. The link is christinasvane.substack.com


The second is called "Travelling with Bob Dylan and Other Unsolved Mysteries." I share my experiences with Dylan when I was with him on the Scandinavian leg of his 1987 "Temples in Flames" tour, as well as meetings in 1989 and 1992.  The unsolved mysteries were many, but the recurring question was why it felt like we were old old friends. This opens the underlying topic of time: linear time is a construct, leading us to think that the past is over and cannot be re-entered. But in truth, time is spherical, and past, present and future co-exist simultaneously. We are, then, free to travel between them, like birds in the sky.  (Travelling is spelled in the UK manner, because I live in Europe.)  The link is travellingwithBobDylan.substack.com

Sonnets to the Unseen and Other Poems

A collection of poems arising out of the experience of moving, or being moved by watching another's dance. With exquisitely translated versions in French by Christine Renaudin, also a dancer.  Not available commercially.  Contact me for a copy. 

Spirit Journals - 1983 - 2023

Excerpts from the last forty years of conversing with an inner voice. 

S.O.S - A Musical for the World

Inspired by the global realization, "We can't go back to normal; normal wasn't working" arising from the COVID crisis, I researched young inventors around the world who had come up with earth-shaking and earth-saving new ideas, and fantasized a way that other such inventions could actually be put to use in saving the planet from the raging degradation of quality of life for the environment and humanity. Peace Nobelist Wangari Maathai is the inspiring force behind the protagonist, a woman from the matriarchal Bissagos Islands of Guinea Bissau. It is an opportunity for audience and performers to imagine together and generate the energy field of how it will feel to shift from harming to healing our planet and ourselves. In process....stay tuned! 


Writer, dancer and singer Christina Svane sometimes refers to her performances as "dreamscapes," because a theater invites us to gather in darkness and have visions of other realities, with no limit to what is  possible, and it sometimes feels like we are receiving messages from dimensions beyond the physical. She views the theater as a place where we can let our imaginations open as wide as the sky, and feel the depth of our connection to the human race and the web of life.


Originally from San Francisco, studying ballet and then modern dance and improvisation with Ann Woodhead, Christina received a scholarship to Bennington College where her primary dance mentors were Steve Paxton and Lisa Nelson, who became her soul family. After graduation, Christina was part of the downtown dance scene in NYC in the late 70s and early 80s, showing work at lofts and venues like La MaMa, Danspace St. Mark's, P.S. 1, and P.S. 122,. She danced in David Gordon's company, produced a weekly dance video program on cable TV, and was one of the co-founders of Movement Research with Mary Overlie. 


Christina was a member of the performing collective Freelance, (Paxton, Nelson, Daniel Lepkoff and Nancy Stark Smith), on their European tour, which led to her joining the faculty of the School for New Dance Development in Amsterdam. While living in Amsterdam, she created the IDEA feedback forum, produced many large-scale "dreamscapes," one-woman shows, and a dance opera about the goddess Inanna. During this time, Bob Dylan invited her to join him on his "Temples in Flames" tour, (which she did, and writes about on Substack). 


Moving to Ireland, she was active in the storytelling revival, organizing and performing at festivals.  Back in the US, she collaborated with filmmakers, musicians and visual artists in San Francisco, as well as producing audience-interactive performances at the SF Art Institute, The Palace of Fine Arts, and small theaters. In Northampton, MA., she created The Blue Guitar Gallery and Performance Space, dedicated to collaborative performance and creative feedback forums such as inviting master improvisor and multi-instrumentalist Derrik Jordan and other musicians to improvise to a show of paintings.


Since 2015, Christina has lived in Andalucia, Spain, with her husband, guitarist Billy O'Haire. She is currently completing a musical about young inventors, inspired by the world-wide mantra during COVID: "We can't go back to normal; normal wasn't working!" and the Nobel recipient, Kenyan political activist and founder of the Green Belt Movement, Wangari Maathai. 




















 

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